3/21/2024 0 Comments Adam's apple anime gifHere is a fascinating bit of film history: a photo essay, from a 1946 issue of Popular Science, about the process used to make this very film. Modern audiences are most familiar with replacement animation from the films The Nightmare before Christmas and the works of Aardman Studios, makers of the delightful Wallace & Gromit films (notably the truly brilliant Wallace & Gromit in the Curse of the Were-Rabbit), and Chicken Run. Lao (1964 ), an oddball movie that gives the great Tony Randall (whom I interviewed once, not a year before he died) a chance to ham it up under layers of crazy make-up. As indicated in the link just above, replacement animation is most strongly associated with George Pal, best known for his “Puppetoon” films, but most beloved by me for 7 Faces of Dr. ![]() The heads would fit into the character’s body using some variation of a ball-and-socket joint, and would be swapped out as often as necessary, frame-by-frame, to convey changes in facial expression and/or lip movement. The Lady Said No was made using a labor-intensive stop-motion process called “ replacement animation,” whereby, for instance, animators would craft, for a single character, multiple heads, each with a different facial expression or lip-position. I cannot account for the flickering between color and black and white. It is not the highest-quality version of this film, but, then, we’re fortunate that it survives at all. ![]() The comments, I assure you, were no great loss, but I have nevertheless and perhaps ill-advisedly used them as the basis for my notes below on The Lady Said No, which you can watch below, via YouTube.
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